Apollo-productions.com produces short, experimental loud electric music scores, special effects tracks and soft acoustic stringed instrument soundtracks in most genres for use in Apollo Productions HDTV videos, web sites or movies. Unless otherwise stated, the material on this site is provided royalty free of charge and is free for unlimited use in the public domain.Royalty Free Classical Music from The Apollo Symphony Orchestra comes from a production music orchestra assembled from the best UK and European classical musicians and singers. Their music has been digitally remastered for optimum sound quality.
Local live music is getting harder to promote in the UK. When the breweries killed off their provision of money for entertainment a decade ago they signed the death warrant of the pub band. Mainstream media obsession with arena-level pop acts effectively turns all lesser-known artists into sneer-worthy losers in the eyes of the plebs, meaning that when a live band does appear in a pub or at a function most people move into the other room. Cheap supermarket booze, smoking bans, and online social networking have shaped a stay-in society, where most people rarely, if ever, venture out of an evening. Recession, repression and self-obsession make for dwindling audiences at vanishing venues. We are faced with the daunting task of somehow coaxing bums off sofas before we can even talk about "getting bums on seats.So called "minority music" (or "specialist music," as HMV now labels anything not on Radio 1) such as jazz, folk, blues, bluegrass, country, and now even reggae, are suffering most. There are yet a few surviving clubs and societies around, relying on conventional methods of promotion such as posters, flyers, ads in local papers and mailing lists. Some have websites with listings, email lists, and many are using Facebook and Twitter for targeted marketing. And there are people out there missing the buzz of a live gig, occasionally perusing the local rags or signing up to a mailing list for info on gigs to go to. The difficulty is not only getting them to know about a gig, but getting them to then actually remember to turn up.The problem with posters is they are usually immediately forgettable. Likewise, flyers get pinned to fridges, left unread for a month or two, then binned when they start to curl at the edges. Ads in the local rags are unreliable with erroneous details printed and deadlines often missed. Websites rely on the audience remembering to look at them regularly. Emails get deleted or slowly nudge their way down, and eventually off the screen. It's common to feel overloaded with Facebook or Twitter invites to events, most of which are happening too far away to bother even reading them.
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